Friday, October 24, 2014

In an attempt to make the best zombie movie ever ...

... Julie and Scott meet their friends at the train station late at night to film a Big Scene. It gets crazy after that. If it wasn't for Tam, their explosives expert, they'd have been in a real mess.

We discuss Scott's movie choice, Super 8, written and directed by J.J. Abrams, at A Good Story is Hard to Find podcast.

In which we go camping and encounter a terrifying trio at the Wailing Well.

An M.R. James classic ghost story (with Boy Scouts!), read for us by Scott Danielson and awaiting your listening pleasure at Forgotten Classics.

Tuesday, October 21, 2014

2014 Ladies' Horror Film Fest Report

This isn't every movie we tried because some movies ran into technical or other difficulties (Shaun of the Dead had accents too strong for Mom to understand but we couldn't get the captioning on her tv to work right, for example). Some she just didn't like so we quit watching after 15 or 20 minutes.

We also took a leisurely attitude. Sometimes we did outside activities like cutting out quilting materials for Mom or making a cake or sitting by the ocean for a lovely dinner. And so forth. Such are the joys of homegrown film festivals!

The ratings below reflect my own opinion and not those of my fellow viewers. Also, don't miss below for What We Learned!

It was a blast overall and I highly recommend such festivals to any movie-loving family! In fact, we were already beginning a list for the next film fest (not horror based) before we left.


Halloween 1978


Part of the horror film fest that my mother, oldest daughter and I had over the weekend. We watched my mother's copy. Yeah. You read that right. I told you she was a horror film fan, which was confirmed when she said she watched The Texas Chainsaw Massacre to see why a friend liked it. Bottom line, she was surprised that it was so funny.

My daughter and I hadn't seen Halloween before. Loved it! There is one scene that suddenly brought the whole thing into focus and made me embrace it ... you know what I'm talking about, probably. It involves a gravestone and a pumpkin ... Truly a classic horror film that was delightful in its simplicity.

Poltergeist 1982


The second of our ladies' horror film fest (Mom, daughter Hannah, and me). This did not age as well as one could have hoped for. As my mother said, it came off as a combination of ET and a horror movie. It was a bit slow in the story telling and as a look back at that particular style I could appreciate it. However, the second ending was too much and I wish they'd have wrapped it up more quickly.

The Woman in Black 2012


The final film of Friday for our horror film fest. I'd always meant to watch this and I can understand complaints I'd seen that it was a bit slow and not much happened. However, we were all pleased with the sheer beauty of the film and the hovering spookiness of Daniel Radcliffe's experiences in the old house. Honestly, if you want someone to stand around looking gloomy and startled, I can hardly think of anyone who could have done it better.


The Haunting 1963


This was on Saturday's bill of fare for our horror fest. We all had read The Haunting of Hill House (on which it is based) so many times that we could pick out where it diverged from the original story. Honestly, they did a really good job of adapting the book faithfully, except for Eleanor's love interest and the character of the professor's wife. None of us could figure out how those changes were an improvement to the story or any easier to film but they didn't make the movie any less enjoyable.

Mama 2013


Saturday evening's showing in our horror film fest. I'd been avoiding this because I thought it would be a lot more violent and disturbing than it actually was. It had the feel of a lot of Guillermo del Toro's work, which isn't surprising since he produced it and one wonders if he didn't advise also. However that may be I was surprised at how much I really liked this movie.


The Night of the Hunter 1955


Mom has been pushing me to watch this for years and not surprisingly it was her pick for winner of our horror film fest. I was not quite as taken with it. It felt like three different movies sewn together with Mitchum's terrorization of the kids leading into a slow, meditative Huck Finn turn, followed by spunky Lilian Gish showing us how good parenting is really done while taking on Mitchum. I really loved Lillian Gish's sung response to Mitchum's trademark gospel song. I can understand why Charles Laughton's direction is always mentioned because he had some really wonderful moments of staging that will stick with me for a long time.

Pitch Black 2000


A guilty pleasure and not strictly part of the ladies' horror film fest we were staging. We didn't think Mom would enjoy it, so Hannah and I put it on and watched it bit by bit whenever Mom was taking a nap. We didn't finish it but somehow it was always there in the background. Alien monsters and Vin Diesel. 'Nuff said.

Young Frankenstein 1974


This was the final film we watched in our horror film fest. It was just what we needed to wind up feeling good and finding our way back into the real world where people don't sit around watching movies all day long. It's practically perfect in every way.

Watching so many of these back to back we soon learned that there were common themes for certain elements. We took these to heart. So much so that by the last evening I was made nervous by looking in a bathroom mirror

Disregard these hard-earned lessons at your peril!

In no particular order:
  1. Do not trust ethereal women in black. They are not nice.
  2. If you've seen a mysterious, masked, disappearing man and then the boy you're babysitting sees a mysterious, masked, disappearing man — they are connected. Listen to the children.
  3. If a doctor/professor is writing a paper on psychic phenomenon, do not think he ever has your best interests at heart.
  4. Flickering lights almost never mean a bad electrical connection.
  5. You are never going to get a good night's sleep in a looming house — especially on a hill — especially when it is loaded with Victorian decorations.
  6. Begin investigations in the morning, not in late afternoon when it's getting dark and all you have is a candle or tiny flashlight.
  7. Do not look in the mirror. I repeat — do not look in the mirror.

Thursday, October 16, 2014

We're Leaving Town - Bye, Bye

Hannah and I are winging our way to Florida to see Mom. We're going to be soaking in the horror movies for three days solid since that's a passion that Hannah and Mom share.

Me? I'll be counting on Hannah to tell me when jump scenes are coming.

Of course, we'll also be having fun cooking and talking and everything else that goes with fun family visits. But it's mostly about the horror. Of course.

Mom's choices: Halloween • The Night of the Hunter • The Haunting

Hannah's choices: 28 Days Later • Sharknado • The Conjuring (and about 15 more)

My choices: Aliens • Young Frankenstein • Attack the Block • King Kong (the original of course!)

And a couple of non-horror choices just in case we need to break the mood: Stranger Than Fiction • Lars and the Real Girl

I'll let you know how many of these we got through when we return.

Wednesday, October 15, 2014

Well Said: A Lesson We All Need

It is a lesson we all need—to let alone the things that do not concern us. He has other ways for others to follow him; all do not go by the same path. It is for each of us to learn the path by which he requires us to follow him, and to follow him in that path. Let us remember our Master's injunction, and we shall be saved from many pitfalls: "What is it to you? You follow me" (John 21:22).
Saint Katherine Drexel
It is impossible for me to state how very strongly I agree with this statement.  Therefore I will simply leave it here for contemplation without further comments.

Worth a Thousand Words: Self Portrait on the Way to Work

Vincent van Gogh, The Painter on the Road to Tarascon, 1888, reportedly destroyed during World War II
Of the some 30 self-portraits by Van Gogh, The Painter on the Road to Tarascon, created in Arles during the summer of 1888, is the most unique. Instead of the usual studio portrait, Vincent depicts himself striding across the hot landscape of southern France, overloaded with the tools of his artistry. He also, as he informs his sister in the excerpt above, is minus his beard, although because of the poor quality of the reproduction below, you might not be able to detect that detail. Look, too, at the distinctive shadow that seems to be following Vincent as he pursues his creative mission.
I really enjoy the way that Arts Everyday Living blog features paintings under themes I'd never have thought of. Last week's look at paintings that have been destroyed or that have come back from the grave (so to speak) was fascinating. And the commentary, as you can see above, does more than just give bald facts. It gives context, mood, and personality to each artist and painting.

The snippet I've shared is just a bit of what the fascinating look at lost art. Do go see for yourself.

In which we sample some of the ghastly, ghostly goodness ...

... from The Big Book of Ghost Stories. Now at Forgotten Classics.

Tuesday, October 14, 2014

Well Said: A Holy Curiosity

The important thing is not to stop questioning. Curiosity has its own reason for existing. one cannot help but be in awe when he contemplate the mysteries of eternity, of life, of the marvelous structure of reality. It is enough if one tries merely to comprehend a little of this mystery every day. Never lose a holy curiosity.
Albert Einstein
Yes. Yes, yes, yes.

Worth a Thousand Words: Nothing like a mud bath to get the wrinkles out

Nothing like a mud bath to get the wrinkles out
taken by Valerie, ucumari photography
Creative Commons License, some rights reserved

Troubleshooting and the Synod on the Family

Will Duquette has some sound advice on why you shouldn't either flip your lid or celebrate too soon over some of the news scraps coming from the Synod on the Family.

He points out that the Synod is essentially a troubleshooting session, just laying everything on the table to see where it all fits (or doesn't) into understanding and approaching solutions. He makes me think of the scene from Apollo 13 where Ed Harris dumps a box full of odd items onto the table and tells the scientists they have to come up with an air filter.
First, you have to consider all of the possible causes, including the ones that seem obviously wrong on the face of it. Things really do work better when you plug them in, and just because you think it’s plugged in doesn’t mean that it is.

Second, you have to consider all of the possible solutions, including the ones that seem obviously unworkable, infeasible, or (in this case) unethical or heterodox. ...
Go read all of it before reacting or commenting or anything else.

This makes me think of something I just came across in The American Catholic Almanac where Pope Paul VI had asked a commission to consider contraception. The committee drafted The Majority Report and a few dissenting members drafted The Minority Report.

The Majority Report said Catholics should be allowed contraception, which makes it easy to figure out what the Minority Report said. The pope considered both reports for about a year before coming out with Humanae Vitae which explicitly rejected his commission's recommendations from The Majority Report.

Leaking these documents to the press and the subsequent speculation about The Majority Report contributed greatly to the confusion and disappointment when Humanae Vitae came out.

So let's all settle down and let everyone talk over the issues, shall we? And not get too worked up until something conclusive is produced.

Art, Poetry, and Literature: Two New Books on Prayer You Need to Get

I haven't done more than dip into these books but I already know enough to recommend them. Full reviews will follow but I didn't want to wait until I was finished to tell you about them.

Art and Prayer: The Beauty of Turning to GodArt and Prayer: The Beauty of Turning to God by Timothy Verdon
There is an “art of prayer,” when faith and prayer become creative responses by which creatures made in the image and likeness of the Creator relate to him with help of the imagination. ... Richly illustrated, Monsignor Verdon explains that images work in believers as tools that teach them how to turn to God.
They had me at "richly illustrated." Over the years I have become more and more attracted to paintings as keys to helping me connect more honestly and deeply with God.

The book does indeed have many gorgeous pieces of art which are wonderfully explained and made personal by the text of the book. For example, looking at both the inset and whole painting of Piero della Francesca's Baptism of Christ, the author takes us through what the painter hopes to show us, the importance of the original setting for the piece and it's possible impact on the monks who would have seen it daily, and the importance of interior transformation for every one of us. He then uses the painting's landscape to segue into nature, Scripture, and imagination before moving on to the next piece for inspiration. All this is by page 6, by the way.

Needless to say, I am finding this thought provoking, eye opening, and inspirational. This is a gem.

Light Upon Light: A Literary Guide to Prayer for Advent, Christmas, and EpiphanyLight Upon Light: A Literary Guide to Prayer for Advent, Christmas, and Epiphany by Sarah Arthur

One of my favorite inspirational books is At the Still Point (my review here). It is an unusual devotional for ordinary time with thematically arranged classic and contemporary fiction and poetry which pulls the reader deeper into prayer and worship.

My one wish was that it would be popular enough that author Sarah Arthur would do similar devotionals for the other liturgical times of the year. With Light Upon Light, my wish is  coming true. Appropriate themes take us through the liturgical seasons from expectation and longing to joyful arrival and the cost of such a gift as Christ's incarnation. There is traditional and modern poetry, as well as literary excerpts which are not confined to those we'd expect such as A Christmas Carol (though that is there also).

This is a real treasure, not least because it may introduce you to new sources of inspiration you wouldn't have encountered otherwise.

Monday, October 13, 2014

Well Said: Success and Failure

Success isn't permanent and failure isn't fatal.
Mike Ditka
And if he could say it, then it must be true. At least for football. But I need this reminder too, as the product of a society that preaches perfection is the only acceptable result.

Worth a Thousand Words: Bridge on the Seine

Edward Hopper, Bridge on the Seine
via WikiArt
I love Hopper. I love Paris. I love bridges. Now we know why this painting is here today.

Be Careful What You Wish For ...

We go to the most formal of our parish Masses with a full choir and the most likelihood of having older songs selected. As my husband puts it, "the good ones, written before 1900."

So some time ago when we began singing the "Lamb of God" bit of the liturgy in Latin (Agnus Dei) I though it was charming. Since it was short I was able to go through the mental translation into English while I was singing and still get something out of it.

Then, months ago, the Glory to God in the Highest went partially to Latin (Gloria in excelsis Deo). I likewise mentally translated that. It was getting painful (I ain't that good at it) but I was hanging on.

Recently we had the third Latin encroachment and the "Holy, holy, holy" turned completely into the Sanctus. This was too much for me to mentally translate and I took the tactic of lowering my head and murmuring the English words to the tune. Otherwise I was left in the cold for any meaning on this third section.

Unusually enough, I didn't mention it to anyone, not even my husband. I thought of Augustine asking Ambrose about different customs and receiving the advice, "When you are in Rome, live in the Roman style; When you are elsewhere, live as they live elsewhere." But I really saw the wisdom of the Novus Ordo being in a language we commoners could understand.

This Sunday the Sanctus went back into English. As I listened to the lector teaching the congregation and heard the "solemn modern" tune, I looked at Mary's statue and thought, "What would Mary do? She would do what the elders of the temple said." I inwardly laughed, thinking that I got the English I wished for, but at a cost.

So I resigned myself and forgot it until that moment broke upon us during the Mass. I sang and looked at the crucifix. I thought of the real suffering of Christ and my whining about a simple tune. In the middle of these thoughts I was startled at what shot abruptly and sharply into my mind, "Hey, I have to listen to it. Just sing."

So I sang. And laughed.

I love a mutual sense of humor.

Dallas - 30. Seattle - 23.

With 14 of the Seahawk's points were given to them by the Cowboys special teams.

In Seattle, one of the toughest locations for teams to visit.

I was honestly dreading this game, fearing a meltdown under pressure. But they turned in a solid performance such as I hardly dared hope for.


Saturday, October 11, 2014